Alexander CALDER, Magie éolienne - 1972 Seattle art their roles were considered as

their roles were considered as complementary to the role of men and a necessary component of their society

Masks also enabled the wearer to undergo spiritual and social renewal and so they served as an outward manifestation of the wearer’s inner transformation

MARKINGS On recto

Carved Norwegian Totem by Steve Jensen (Seattle) 16 1/2 in

the scoop decorated with incised geometric shapes design

Alexander CALDER, Magie éolienne - 1972 Seattle art their roles were considered asAlexander CALDER (1898 1976) Series: Magie olienne 1972 Artist Proof Color lithograph on Arches, 1972. 25 3 8x19 1 2 inches (sheet), full margins. Signed and numbered E. A. in pencil, lower margin. Printed by Maeght, Paris. Published by Societ Internationale dArt Xxe Sicle, Paris. From the same titled series. A very good impression. Unframed Private Seattle collection since 1974 Alexander Calder changed the course of modern art with his three