Contact Sheet Print: The Beatles, London, England, 1964 Black and White the way opposites can be

the way opposites can be so beautiful in relation to each other

but perhaps none so familiar as that of Lesley Hornby

a personal collection of enigmatic black-and-white images taken over the course of his illustrious career

Ian Berry’s work has recorded a unique aspect of the South African experience: the duty to ‘live apart’ while occupying the same space

all the compositional and conceptual elements are in place

Contact Sheet Print: The Beatles, London, England, 1964 Black and White the way opposites can beIn 1964, I was asked by a friend Dick Lester who was about to direct the first Beatles film A Hard Days Night, to photograph the film, not for press, but more from a sociological point of view, explains David Hurn, when asked how he came to photograph the most famous band in the world, as they played themselves in A Hard Days Night. Over roughly seven weeks in 1964, Hurn witnessed the complete chaos that surrounded the Beatles, then at the apex of