福島 Fukushima
Antoine d'Agata Out of print 清水チナツ（インディペンデント・キュレーター）

清水チナツ（インディペンデント・キュレーター）

The Last Son follows Goldberg’s 134 Ways to Forget (Super Labo

Tokyo was a monochrome

a street photographer cannot but continuously click the shutter of his camera in perpetuity

For the domestic customers:

福島 Fukushima<br />Antoine d'Agata Out of print 清水チナツ（インディペンデント・キュレーター）The void surrounds me and eats my belly. Through the clear glass of the car window, everything is grey: slow descent into a warm and acrid cell nucleus, memory wearing off through scattered images whose logic is as atomized as the territories I go through. The method, because it takes the form of a diary whose structure is premeditated in order to challenge its own rules, ends up depending on resurgences that alter the physical space of the exclusion