YAMA
Antoine d'Agata jumonji from which I could do

from which I could do my choice

I am able to see from within this rich culture that tells many stories of youth and fame that expand beyond the small world of skateboarding and speak of human commonalities

2018年 秋　野村恵子

Each structure is like a dark omen

she was unprepared for the deep confusion and conflict she found in herself being home

YAMA<br />Antoine d'Agata jumonji from which I could doIn 2011, Antoine d'Agata is in Cambodia, exploring and documenting further the space between photography and his own experience. In the closed space of a windowless room with wooden walls painted red, he engages with L, an ice addict prostitute who will die soon. Until the end, she uses pleasure as a way to impose her existence to a world that denies her every other right. In the wicked circles of social violence, where desire cannot be separated from